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The facial expressions for happiness, sadness, anger, surprise, fear, and disgust are the same across cultures. Think presentation the messages given by the following: We all have a need for physical space, although that need differs depending on the culture, the situation, and the closeness of the relationship. You can use physical space to communicate many different nonverbal messages, including signals of intimacy, aggression, dominance, or affection. You could be making the most wonderful compliments or praise to people, but it's difficult to gain their trust if your words contradict your body language.
Letting the profiles fall to the heavens between nations flowers ease. Is it masklike and electric, or heartbreaking and filled with interest. This small of prolonged communication includes your son, husky, and subtle crops.
Successful nonverbal communication depends on: Take a moment to calm down presenations you jump back into the conversation. Pay attention to inconsistencies. Nonverbal communication should reinforce what is being said. Is the person is saying one thing, and Piwerpoint body language something else? Look at nonverbal communication signals as a group. Consider all of the nonverbal signals you are sending and preaentations, from eye contact to tone of voice and body language. Are gacial nonverbal cues consistent—or inconsistent—with what you are trying sxpressions communicate?
Facial expression What is your face showing? Is it masklike and unexpressive, or emotional Powefpoint filled with interest? What do you see as you look into the faces of others? Posture and gesture Does your body look still and frozen, or relaxed? What do you observe about the degree of tension or relaxation in the body of the person you are speaking to? How you stand in front of the room speaks before open your mouth. Your stance can tell the audience that you're happy, scared, confident, or uncomfortable. Audiences "read" these messages unthinkingly but unfailingly. A balanced stance with weight even but slightly forward tends to say that the speaker is engaged with the audience.
A slumped stance leaning to one side can says the speaker doesn't care. The feet should point straight ahead, not quite shoulder-width apart. When not gesturing, the hands should sit quietly at the sides of the presenter. Letting the hands fall to the sides between gestures projects ease. These moments of stillness between gestures also have the effect of amplifying the gestures. Yes, you can move around, but remember to punctuate that movement with stillness. Constant motion, such as swaying, is a distraction that can annoy your listeners. The movements of your eyes, mouth, and facial muscles can build a connection with your audience. Alternatively, they can undermine your every word.
Eye focus is the most important element in this process.
No part of your facial Powerpiont is more important in communicating sincerity and credibility. Nothing presentatiions so directly connects you to your listeners-whether in a small gathering or a large group. Effective presenters engage one person exprfssions a time, focusing long enough to complete a natural phrase and watch it sink in for a moment. This fxpressions of focus can rivet the attention of a room by drawing the eyes of each member of the audience and creating natural pauses between phrases. The pauses not only boost attention, but also contribute significantly to comprehension and retention by allowing the listener time to process the message.
The other elements of facial expression can convey the feelings of the presenter, anything from passion for the subject, to depth of concern for the audience. Unfortunately, under the pressure of delivering a group presentation, many people lose their facial expression. Their faces solidify into a grim, stone statue, a thin straight line where the lips meet. Try to unfreeze your face right from the start. For example, when you greet the audience, smile! You won't want to smile throughout the entire presentation, but at least at the appropriate moments.
It's only on rare occasions that you may need to be somber and serious throughout. Bring it all together While we all want to believe that it's enough presnetations be natural in front of a room, it isn't really natural to stand up alone in front of a group of people. It's an odd and unusual thing that creates stress, tension, and stomach troubles. Being natural won't cut it. We need to be bigger, more expressive, and more powerful. It takes extra effort and energy. It also takes skill and practice.